A Review of W.S. Merwin’s Pulitzer Prize Winning Book: The Shadow of Sirius

I decided a few weeks ago that I was going to start read­ing the Pulitzer Prize win­ners for lit­er­a­ture and poetry. Every time in the past, I’ve read a Pulitzer win­ner (Walk­ing to Martha’s Vine­yard and Gilead for exam­ple) I’ve always really enjoyed them.

So I got W.S. Merwin’s book of poetry, The Shadow of Sir­ius, out of the library.

The first sec­tion of it is really good. Mer­win knows how to write a good poem, to take a metaphor and lay it out, per­fectly. Through­out most of these poems, he plays his cards close to his chest through­out the poem, string­ing the metaphor along, then turn­ing the poem in the last cou­ple lines.

The poems in this first sec­tion are really pretty acces­si­ble. They’re short, mak­ing them easy to re-read, once you’ve hit the turn, and the metaphors and themes are famil­iar with­out being tired.

I’ve argued before that we need more peo­ple writ­ing acces­si­ble poetry, stuff that every­body under­stands, and the first half of this book does exactly that.

Unfor­tu­nately, the sec­ond half of the book tends to wal­low a bit more in poetry that’s either less acces­si­ble or maybe in themes that aren’t quite as inter­est­ing (there’s a lot of Poetry Sub­ject Num­ber Two, which might get more inter­est­ing to me the older I get, but cur­rently feels a lot like clas­si­cal music: it’s not so bad, but I’m just not interested).

In any case, the book doesn’t fin­ish nearly as strong as it starts, which is kind of a bum­mer from a Pulitzer Prize win­ner. Still, it’s a short book of poetry, so it’s prob­a­bly worth your time.

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One Comment

  1. Nathan
    Posted December 17, 2009 at 2:15 pm | Permalink

    I’ve argued before that we need more peo­ple writ­ing acces­si­ble poetry, stuff that every­body under­stands, and the first half of this book does exactly that.

    Yes, yes, a zil­lion times yes. Peo­ple always com­plain that the gen­eral pub­lic doesn’t appre­ci­ate the arts, but then the peo­ple who actu­ally are INTO art often con­tinue to make it com­pletely inac­ces­si­ble and unap­peal­ing to the gen­eral pub­lic (and even com­monly deride art that is made to be acces­si­ble as being too simple).

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